Comedic contemporary monologue for a woman from the play "F-Stop" by Olga Humphrey.

The monologue is about an actress named Susanne, who very much wants to play the role of "Tiffany Jones, a voluptuous, kick-boxing, platinum haired CEO, twenty-one years of age, who single handedly takes on the Singapore Mafia when they try to launder money and run drugs through the Fortune 500 company she single handedly started from the ground up."

It's very important to Susanne that she get the role of Tiffany, as she's seldom ever connected so strongly to a role as this one.  Susanne's primary tactic to get the role is to sell herself and her skills as an actor.  She lists off a bizarre array of accomplishments and talents including playing "every one of the Three Sisters," the ability to act in styles including "lyrical realism" and "realistic lyricalism" and her combat training in various martial arts including "Uechiryu Karate" from "the Okinawan school."   Monologue engages the sense of sight with its descriptions of "acne encrusted boys" and the above description of the character Tiffany Jones.  

If you want to play a hyper intelligent, somewhat hyper young woman in her 20's who is both eager to please, full of herself and probably pretty insecure underneath this role might fit the bill.

Find it on page 43 of Humana Festival 2012: The Complete Plays.    To request the play "F-Stop" which this monologue is from contact the author at ​http://www.olgahumphrey.com/contact.html. 

Great monologue for a man. You are playing Picasso! This monologue is in a comedic play but really is a dramatic moment. You get to demonstrate an artist's passion and excitement for his work. There's a feeling of yearning and awe and power. Picasso talks about wanting to be ready for when his great moments of inspiration strike. When he will create the works of art that will influence and shape the 20th century. The moment when his dream of making great art and the action of making great art converge.

​Hook opener to this monologue:
"I could dream it forever and still not do it, but when the time comes for it to be done, God, I want to be ready for it"

This monologue for a a man in his twenties is about a guy (named Grrl) who has a roommate who eats her feelings. When she gets upset and eats her feelings it keeps him from relaxing in his apartment. He's sort of stuck taking care of and managing her toxic emotions. In this monologue he tells us how she progresses through different junk foods based on her level of distress.

This is a very inventive funny monologue. It has to be assembled by removing the various interjections and interactions between the characters. What you're left with is just the character Grrl's lines which are delivered in direct address to the audience. The monologue starts with "I can gauge her mood by what she's eating" and ends with "he's actually been texting me all *** day"

Get this monologue from pages 469 to 471 from the book "Humana Festival 2012: The Complete Plays"

Contemporary dramatic monologue for men under 2 minutes.  Man can be 20's to 40's.  Character's name is Mike from the play "Hero Dad" by Laura Jacqmin from Humana Festival 2012: The Complete Plays

The character, Mike, envisions what it would like to be a father.  He addresses a character "Seated Female" who he has got pregnant.  She sits in a waiting room.  He's on the phone with her.  He pleads with her to give him a chance to be a father.

Start the monologue with "I mean, the vision I have of myself?  As a dad?" on page 209 and close the monologue with "we can figure it out" on page 210.

Per Monologue Writing 101, this monologue is notable for:

• Strong want - he has a strong desire to be a father.  
• High stakes - if he doesn't convince her, he may not get the chance.
• Discovery - he's sharing a vision of himself as a father with "Seated Female" likely for the first time.
• Tactics - for a short piece, he tries two tactics: shared with her a positive vision of how he'll be a good father and that he's open to trying to make the relationship work with her.
• Internal Obstacles - he's definitely pushing past some internal obstacles here that he had about commitment to this woman and to having a family.  But he's blasting past them, actually, because there's the real present danger in this dramatic moment of him losing both.

Comedic contemporary monologue for a young woman. Character is 16, named Patricia.

Patricia opens up to a boy she likes. She begins by talking about herself; how accomplished she is. She ends up going deep, talking about her mother's new boyfriend and the loss of her father. By the end, vulnerable, she asks the boy she!s sharing all this with to kiss her.

Piece gives a young woman in her teens plenty of solid comedic and dramatic beats to play. Great journey from funny (she brags about herself) to raw and vulnerable and tragic (she talks about her father's loss, seeing his ghost), to her struggle dealing with her mother having moved on, now in a new romantic relationship, and to curiosity about adult relationships and sex.

• Great hook opening "I have the highest grade point average in my class. I make my own clothes and could play the flute professionally."
• Good balancing past and present action. Recollection reveals her character while being used as a means to get close with a boy she likes.
• Healthy stakes as she's taking a risk she'll reveal who she really is and he'll reject her.
• Strong want to connect, to be kissed.
• Effectively reveals strong emotion under the surface of the storytelling. Here is a young woman who could break down and cry when she thinks about her late father. However se does not, she tells the story of seeing his ghost and how the family dog kept waiting by the door for him to arrive home from work every night. Heartbreaking stuff but she doesn't allow herself to break.

I saw this contemporary dramatic monologue for men while watching Breaking Bad and it blew me away. You'll find the monologue within Breaking Bad Season 4, Episode 10 at 23 minutes into the episode. The monologue is spoken by the character Walt who is in his forties.

The monologue is short under two minutes and exemplifies elements 1-6 and 8 of Monologue Writing 101. The night prior to the monologue Walt's son, Walt Jr., had come to his father's condo to check if everything was alright, because Walt had missed Walt Jr.'s 16th birthday celebration. Walt Jr. finds his father looking beat up, Walt's been in a fight, and drunk. In his drunken weakened state Walt had spoken briefly to his son and then passed out. The monologue takes place the next morning.

In the monologue Walt shares the story of his one real memory of his own father, who died of Huntington's disease when Walt was very young. Walt's memory is of a father who was very sick, barely hanging onto life, who could no longer speak, and who may no longer even have fully recognized him. Walt's only real memory of his father is of a shell of a man. Walt wants his own son, Walt Jr., to remember him at his best. Walt does not want Walt Jr. to remember him the way he was the night before; drunk, beaten, incoherent.

For actors auditioning for a dramatic role, who want to demonstrate they can achieve a layered, nuanced performance - this monologue delivers.

Per Monologue Writing 101, this monologue exemplifies the following elements:

Element 1: Walt has a strong desire for his son to have a positive memory of him. He wants his son to forget what he saw last night.

Element 2: Walt has at stake how his son sees and esteems him. As a father, Walt cares deeply how he will be remembered by his son when he is gone.

Element 3: Walt tries a few tactics to get his son to forget about his lapse in character. He apologizes to his son, he shows his son he feels ashamed, he uses self-deprecation, and finally he opens up about his own father. The memory he shares is something very personal that he has never told his son before.

Element 4: The opening of the monologue serves as an effective hook. It sets up the current state of the relationship dynamic and the want that the speaker has in that relationship. It pulls us in. We want to see if Walt will win over his son. "I wish I could take back last night. It was your birthday, this shouldn’t be on your mind. No it’s not okay, I’m your father and I don’t want last night to be…. I mean you, you really … you can’t think of me like …"

Element 5: The close of the monologue has a solid "button" ending. It effectively connects the past action from Walt's childhood back to the present action between Walt and Walt Jr. and to the strong character want established at the start of the monologue. By the end of the monologue, Walt's want has more weight and has engaged the empathy of Walt Jr. "That is the only real memory that I have of my father. I don’t want you to think of me the way I was last night. I don’t want that to be the memory you have of me when I’m gone."

Element 6: This is an excellent example of a monologue that engages the senses. Walt remembers the smell in hospital where he visited his father, the "stench of Lysol and bleach." He remembers seeing his father lying in bed "all twisted up." And he remembers the sound of his father breathing like "this rattling sound. Like if you were shaking an empty spray paint can. Like there was nothing in him."

Element 8: Past action is used to drive home the present want of the monologist. Walt uses his memory as a tactic to engage his son's empathy, to persuade his son. The author does a good job keeping past action tied to present action.

Here is one example from the monologue where Walt uses a specific detail from the past as a means to connect to his son in the present: "My mother would tell me so many stories about my father. I mean she would talk about him all the time. I knew about his personality, how he treated people, I even knew how he liked his steaks cooked. Medium rare, just like you."

Comedic monologue, female, teen, contemporary. 1 minute monologue.

The character's name is Howdy, she's 17 and overweight.

This monologue for a young women has a clear objective for an actress: convince Mrs. Becker, who believes the monologist is without ambition, that she in fact has BIG ambitions. She's going to join the World Wrestling Federation and become " BOOGER WOMAN" who will be "the hero for all fat girls."

Per Monologue Writing 101 this monologue is notable for its:

• Strong Want - Howdy's desire to standup to Mrs. Becker jumps off the page.  A+
• Engage the Senses - the monologue is filled with visual and to a lesser extent tactile language.  A
• Hook Opening - interesting word choice plus effectively engages the audience's attention on the monologue's premise.  A-
• Button Closing - finishes strong, building energy to a climax and sticking it to Mrs. Becker.  A

Available on page 10 of "222 Comedy Monologues 2 Minutes and Under."